Something is inspiring about a self-taught director, especially one as creative and confident as Tarantino. He learned everything from his low-budget projects, which brought him to where he is today.
Tarantino is known for his cinematography. I want to blow you away. Tarantino is known for his extreme close-ups. Eventually, she wiggles her toe. However, Tarantino is most known for is his looking-up POV shots. It is one of his signature trademarks, which he somehow fits into most of his films. Quentin Tarantino is the kind of director that is involved in the entire filmmaking process. Often he writes screenplays, he directs the film, produces the film, and on occasion, he acts in his films too.
Regardless of what people think of him, his passion for his films is undeniable, and he wants to be involved in every aspect of the creation process. With everything he does, he can make a movie the way he wants to. He does many of the jobs himself. Despite his vast popularity, Tarantino has had many controversies over his career.
Tarantino has strongly denied any claims that his films inspire violence. Tarantino welcomes controversial topics in his movies, as they spark debates and get people talking about issues he cares about. At the same time, working for 30 years doing as many movies as I've done, not as many as other people, that's a long career. That's a really long career. And I've given it everything I have. Every single solitary thing I have. As he explains, they are made for this:.
Even if you know his films by heart, you will rediscover them, or rather, discover them in the purest form, the way Quentin Tarantino imagined them. Its scripts are longer than usual, so you will discover many things that are not in the film. And where did the inscriptions on it come from? What if I tell you that the end of Django Unchained that Quentin Tarantino had imagined on paper is not the same as the one we see in the movie?
Personally, I found it much better! And thanks to their own imagination, these people will be able to appropriate this story by bringing personal things. This is particularly true for literature. If the artist has done his work well, there should be as many different versions of his story as people who read it. But this ability that great storytellers have to let us bring something personal to their story does not stop at literature, and Quentin Tarantino is the best example.
He is a master of the art of personally involving the viewer or reader for those who read his scripts in the story he tells.
And this is all the more difficult to do when the story is told cinematographically. When we watch a movie, our imagination is no longer at the forefront, and other senses like sight and hearing take over. Everyone looks forward to the next thing you have to offer. But which of the two directors is better than the other?
Are they equal or does one tower above the other? Here's a case for each of the two filmmakers. Tarantino is the master of the mix and match. His films are mostly collages of two or more genres rather than one specific genre. He has the ability to make one single feature into a biopic, a Spaghetti Western and a war movie all at the same time.
Once Upon A Time In Hollywood was the latest film to illustrate how Tarantino can't stick to just one limited area. When it comes to films, a single course is boring. He loves his buffet. Why stick to one when you can do plenty? Soon, he might just go the superhero route too. Plenty of directors try to use narration in their films but no one does it better than Scorsese. Not only does this help you understand a complex movie much more quickly but it also adds to the superb dialogue and humor.
Scorsese also enjoys using slow motion and freeze frame techniques to good effect in movies like The Aviator, Goodfellas, and The Departed. These techniques help in placing emphasis on a specific scene. Scorsese is also quite good at using the camera to highlight emotion. The best example of this is found in The Wolf Of Wall Street , specifically the scenes where Leonardo Di Caprio's character is addressing his employees.
Both directors love violence.
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